STAFF:

All of our current roster of engineers are educated to at least degree level in the field of music recording. Their list of experience reaches from those who regularly freelance for the BBC for orchestral and choral recordings to working extensively in some of the top studios in the United States on orchestral film soundtracks as well as rock and pop recordings for Michael Jackson, Robbie Williams, Fiona Apple and LeAnn Rimes among many others.

VENUES:

We have recorded in a huge variety of venues from the Bridgewater Hall in Manchester and the Symphony Hall in Birmingham to local venues, halls and churches and community centres.

If you have access to a familiar facility with good acoustics this is a brilliant place for a recording. If this is not possible however, we would be glad to advise of possible venues local to where you are based. With good microphone techniques and selective application of effects in post-production and mixing it is quite possible to ‘re-engineer’ the sound of an acoustic space to one complementary to the style of recording you are undertaking. Due to the amount of control over the sound using this method you often find that the outcome sounds better than if you have recorded in a ‘perfect’ acoustic space in the first place!

CLIENTS:

We work with a wide variety of clients, large and small. Please ask us for a demonstration copy of a recent CD which will give you a representation of the recording fidelity you can expect.

Highlights include a CD Recording and Duplication Package we have completed for Canoldir Male Choir in 2006. Recorded at Birmingham Symphony Hall with a massed choir of some 200 voices it represents a live concert to stunning effect.